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'Cotto' Restaurant -
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三个男高音在罗马共进晚餐
罗马, 城内圣保罗教堂 (Chiesa di S. Paolo entro le Mura) — Sala 1
演出简介
在罗马市中心，三位男高音将与身着服装的舞者一起，在那不勒斯伟大的曼陀林管弦乐团和大钢琴的伴奏下，进行一场以歌剧咏叹调和那不勒斯著名传统歌曲为主的演出。
，节目包括《Torna a Surriento》、《O' sole mio》和《Funiculì funiculà》等神奇的旋律，以及迷人的歌剧咏叹调。
，通过这一节日活动为您在意大利的旅行增添一抹意大利音乐的色彩。
实用信息
时间安排：
下午6.30：在 "Ristorante Cotto "的晚餐
8.30 pm: 音乐会开始
晚宴：
音乐会开始前，于18:30分您将在'Cotto' 饭店享用晚宴。地址：Via Torino 124
20：30： 音乐会
罗马大餐（典型罗马美食）：
*意大利香烤面包片配小番茄，西芹，大蒜
*意大利面
*每日推荐或番茄马拉里苏奶酪沙拉或香煎火鸡肉
*迷迭香煎马铃薯，沙拉
*甜点
矿泉水包括在内
演出曲目
- Luigi Ricci – Tarantella from La Festa di Piedigrotta
- 朱塞佩·威尔第 – 弄臣 – 'La donna è mobile', from Rigoletto
- Francesco Paolo Tosti – "Marechiare"
- 吉奥阿基诺·罗西尼 – La Danza, Tarantella Napoletana
- 吉亚卡摩·普契尼 – 托斯卡 – 'E lucevan le stelle', from Tosca
- 路易吉·登扎 – 登山缆车
- 鲁杰罗·莱翁卡瓦洛 – “Mattinata”, canzone napoletana
- Vittorio Monti – Czardas
- 朱塞佩·威尔第 – 茶花女 – 'Libiamo ne' lieti calici', from La Traviata
- Vincenzo di Chiara – La Spagnola
- 葛塔诺·多尼采蒂 – 爱的灵药 – 'Una furtiva lagrima', from L'elisir d'amore
- 朱塞佩·威尔第 – Come facette Mammeta
- Ernesto De Curtis – 重归苏莲托
- Raffaele Calace – Tarantella
- 朱塞佩·威尔第 – 游唱诗人 – Di quella pira (Il Trovatore)
- Teodoro Cottrau – Santa Lucia
- 鲁杰罗·莱翁卡瓦洛 – Vesti la giubba
- 吉亚卡摩·普契尼 – 图兰朵 – 'Nessun dorma', from Turandot
- Vincenzo D’Annibale – O’ Paese do Sole
- 迪·卡普阿·埃德瓦多 – 我的太阳
演员表/出品方
独唱：
Giuseppe Macagno — Delfo Paone — Alessandro Risa Donato Martini — Delfo Paone — Andrea Villa
曼陀林大钢琴
舞蹈演员：
Micol Girasole Maria Chiara Grasso Federica Buttarelli
导演和编舞：
Minea de Mattia
Chiesa di S. Paolo entro le Mura
The 'Church of St. Paul within the Walls' was the first non-Catholic church built in Rome after Italy's unification. The church was built between 1873 and 1880 as an Anglican Basilica in the district of Castro Pretorio, Via Nazionale, Rome. Constructed in the Gothic Revival style, the distinctive external facade is characterised by alternating red and limestone bricks. Four spectacular mosaics by the English pre-Raphaelite Edward Burne-Jones, in collaboration with William Morris, are the crowning glory of the church's interior. The eagle-eyed will spot several famous nineteenth-century figures among those representing the fathers of the church in the elaborate mosaics, among them the artist himself, notable donors and their families, and Abraham Lincoln, Giuseppe Garibaldi and General Grant among the 'Christian Warriors'. Many delightful classical events are hosted in this location, including performances of popular operas like La Traviata.
Giuseppe Verdi
Giuseppe Verdi was an Italian opera composer. From a young age, he developed a musical education with the help of a patron and soon dominated the Italian opera. In fact by his 30s, he became one of the most influential opera composer all over the classical scene. His most famous operas are Il Trovatore, Rigoletto and La Traviata. Furthermore, he was able to establish himself as a landowner with the income from his successful operas and focus on his private life. However, he soon returned to the scene with his new popular work Aida (1871), and three masterpieces: Otello, Requiem and Falstaff.
Giacomo Puccini
Giacomo Puccini was an Italian opera composer of the late 19th century. He was considered one of the greatest composers of the Italian Opera, second only to Verdi. His early works were characterised by features of the traditional 19th century romantic Italian opera. Later, his style developed into the realistic verismo style, which inspired him to write his most famous masterpieces and became one of the leading exponents of the style. His most renowned works La bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (1924), all are popular operas played in the most prestigious venues of the classical world.
Gioachino Rossini
Gioachino Rossini was an Italian composer of the 19th century. He made his debut at the age of 18 and soon became one the most popular opera composer in history. His best known operas are The Barber of Seville (Il barbiere di Siviglia), The Italian Girl in Algiers (L'italiana in Algeri), and Cinderella (La Cenerentola). In general, his style can be defined as song-like melodic which earned him the nickname of "the Italian Mozart”. Later on he became famous for his exciting buildup of orchestral sound over a repeated phrase, which is now known as a "Rossini crescendo”.
Gaetano Donizetti
Gaetano Donizetti was an Italian composer of the early 19th century. He was one of the leading composers of the bel canto opera style along with Gioachino Rossini and Vincenzo Bellini. Over the course of his career, Donizetti wrote almost 70 operas both comic and serious. His first notable success came with a serious opera, Zoraida di Granata, which was presented in 1822 in Rome. As a result, he made a major impact on the Italian and international opera scene and shifted the attention to opera seria (noble and "serious" style operas). However, his best-known works include comedies such as L'elisir d'amore (1832) and Don Pasquale (1843).
Ruggero Leoncavallo
Ruggero Leoncavallo went down in music history as the creator of the opera masterpiece "Pagliacci". Additionally he was known for representing a new artistic style verism whose followers focused on everyday subject matters instead of heroic deeds and legendary characters. He was born in Naples in 1857. When Leoncavallo was 8 he got accepted to the San Pietro a Majella Conservatory, where he studied for eight years. Besides his passion for music, he showed great interest in literature and later studied at the philological department of the University of Bologna. This knowledge helped him later to write librettos for his musical works. In 1879 he tavelled to Egypt to live with his uncle and work as a pianist and teacher at the court of the Egyptian Khedive Tewfil Pasha. However, three years later he was forced to leave the country due to the outbreak of war. He move to France, where he worked as a pianist and songwriter in cafes and music halls. In 1887 he returned to Milan and concentrated on writing operas in the new verismo style. Five years later he finally achieved long-awaited success for his opera Pagliacci. Leoncavallo himself claimed, the plot was based on a real murder trial which his father, a magistrate, reviewed in court when he was a child. It is still considered to be the best operas of the verismo genre and is still frequently performed to this day.
Eduardo Di Capua
Eduardo di Capua was an Italian composer of the late 19th century. His father was a musician and introduced him to the world of music. In fact, he travelled with his father to many European countries. During one of his journeys to the Ukraine in 1898, he composed the famous melody of "O sole mio" together with the poet Giovanni Capurro. O sole mio would become an unofficial, romantic Italian anthem. Funily enough, at the 1920 Olympic Games in Antwerp supposedly the conductor of the band could not find the music for the actual Italian national anthem and instead he played "O Sole Mio."
点评
3.4 of 5
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Ms Petrina G, Malta
02月 2024年
Tenors would have been better seen if remained on top of stairs. Ballerina would have been nice to dance down the aisle.
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Steven G, United Kingdom
02月 2019年
Outstanding performances all round which along with the venue created a magical atmosphere. Highly recommend this event.
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Abraham L, Israel
12月 2018年
excellent
地址
城内圣保罗教堂 (Chiesa di S. Paolo entro le Mura), Via Nazionale 16a, 罗马, 意大利 — 查看谷歌地图
