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Música aquática de Händel e fogo de artifício real no Palau de la Musica

Barcelona, Palau de la Música Catalana — Concert Hall

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$ 83

Sobre o Evento

Mergulhe na encantadora música clássica de Georg Friedrich Händel e Johann Sebastian Bach no estimado Palau de la Música Catalana em Barcelona. A Música para o fogo de artifício real e a Música para a água de Händel captam a essência das respectivas celebrações, mostrando o brilhantismo e o apelo intemporal do compositor. Fundado em 2000, Le Concert d'Astrée, sob a direção de Emmanuelle Haïm, é conhecido pelas suas interpretações autênticas e expressivas do repertório barroco, solidificando a sua reputação como um expoente mundial de topo no género.

Programação

  • Georg Friedrich Händel – Suite no. 2 in D major
  • Johann Sebastian Bach – Orchestral suite no. 3 in D major, BWV 1068
  • Georg Friedrich Händel – Suite no. 1 in F major
  • Georg Friedrich Händel – Music for the Royal Fireworks
O programa está sujeito a alterações

Artistas

Condutor: Emmanuelle Haïm
Orquestra: Le Concert d’Astrée

Palau de la Música Catalana

The Palau de la Musica Catalana is a dazzling building situated in the northern part of Barcelona's Old Town. An architectural jewel of the Catalan Art Nouveau style, built between 1905 and 1908, its rich interior displays the work of the region's artisans in the form of stained-glass windows, ceramics, sculptures, paintings and blacksmithing. The extensive use of glass in the construction of the venue creates stunningly radiant interiors. The dusty red facade of the Palau is decorated with busts of great composers including Bach, Beethoven and Wagner, and colorful mosaics in floral patterns. The centre of the Palau is the magnificent concert hall, entirely lit by natural sunlight due to the extraordinary skylight in the centre of the richly ornate ceiling, which is popular for symphonic and chamber music. According to Lluís Domènech i Montaner, the architect who designed the Palau, the aim was to create a “garden for music” – an objective he definitely managed to achieve.

Georg Friedrich Händel

An English subject with German origins, Georg Handel was truly a musical pioneer, combining musical traditions of English, Italian and German composers. He was born in 1685 in Halle, Germany, into a very religious and conservative family. His father was dreaming for his son to become a lawyer and would not let young Georg play musical instruments at home. But the Duke Johann Adolf accidentally heard him playing in the chapel and convinced Georg's father to let his son receive a musical education. Thus, Handel became a pupil of the famous organ player and composer Friedrich Zachow. The first success came to Handel in 1705 when he moved to Hamburg and staged his two premiere operas, Almira and Nero, in the Oper am Gänsemarkt. Almira immediately became a highlight of the theatre and was performed around 20 times. Later next year Handel moved to Italy were he received high acclaim and was put on the same level as renowned Italian composers of the time. In 1710 Handel travelled to London where later he decided to settle down. There he wrote a sacred choral piece "Te Deum" that was played in St. Paul´s Cathedral at the ceremony devoted to signing the Utrecht Treaty. From that moment onwards he became the leading composer of England, as the country did not have any native prominent composers. His oeuvre was mainly focused on operas, but by 1730 the genre of Italian opera ceased to be popular and Handel´s success dwindled. During the last years of his life until his death in 1759 he was mainly composing oratorias, including his famous and magnificent Messiah.

Johann Sebastian Bach

The name Bach and the word musician had long been synonyms in Germany as the world saw 56 musicians from this kin. But it was Johann Sebastian Bach, a genius composer and virtuoso organ player, who shed lustre on his family name. He was born on th 31st of March 1685 in Eisenach, a small town in Thuringia. At the age of 10 he became an orphan and was brought up by his elder brother Johann Christoph, who was an organist in a neighbouring town. His brother was the one to teach music to the young Johann Sebastian. Later he moved to Luneburg where he attended a church school and mastered the techniques of playing violin, viola, piano and organ by the age of 17. Besides that, Bach was a choir singer and later after his voice broke he became a chanter’s assistant. In 1703 Bach was hired as a court musician in the chapel of Duke Johann Ernst III. He earned such a good reputation there that he was later invited to Arnstadt to be an organist at the New Church, where he wrote his best organ works. In 1723 he moved to Leipzig to be a chantor at St. Thomas Church where he stayed until his death of a stroke in 1750. In the year of his death he had undergone unsuccessful eye surgery which lead him to lose his eyesight. During that strenuous time his second wife Anna Magdalena helped him to write his last musical pieces. Bach’s artistic legacy is vast. He created compositions in all genres of the time: oratorias, cantatas, masses, motets, music for organ, piano and violin.

Morada

Palau de la Música Catalana, c/ Palau de la Música, 4‐6, Barcelona, Spain — Veja no Google Maps

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