Concerto de Ano Novo no Palau de la Música Catalana

Barcelona, Palau de la Música Catalana — Concert Hall

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Sobre o Evento

Experimente as melodias encantadoras de compositores clássicos de renome, como Peter Ilyich Tchaikovsky, Antonín Dvořák, Leonard Bernstein, Johann Strauss e Arthur Sullivan, num concerto muito aguardado no estimado Palau de la Música Catalana, em Barcelona. Este evento excecional promete transportar o público para um mundo de beleza e sofisticação musical.

Delicie‐se com as cativantes valsas e polcas interpretadas pela ilustre família Strauss, conhecida por impregnar as suas composições de humor, inteligência e um sentido de otimismo contagiante. Este concerto consagrado pelo tempo dá vida ao rico património musical de Viena, apresentando as notáveis contribuições de uma célebre dinastia de músicos. Marcando a transição das celebrações familiares, dos bons desejos e das resoluções para a excitação dos saltos de esqui, esta tradição adorada é a forma perfeita de começar o novo ano com uma nota harmoniosa.

Palau de la Música Catalana

The Palau de la Musica Catalana is a dazzling building situated in the northern part of Barcelona's Old Town. An architectural jewel of the Catalan Art Nouveau style, built between 1905 and 1908, its rich interior displays the work of the region's artisans in the form of stained-glass windows, ceramics, sculptures, paintings and blacksmithing. The extensive use of glass in the construction of the venue creates stunningly radiant interiors. The dusty red facade of the Palau is decorated with busts of great composers including Bach, Beethoven and Wagner, and colorful mosaics in floral patterns. The centre of the Palau is the magnificent concert hall, entirely lit by natural sunlight due to the extraordinary skylight in the centre of the richly ornate ceiling, which is popular for symphonic and chamber music. According to Lluís Domènech i Montaner, the architect who designed the Palau, the aim was to create a “garden for music” – an objective he definitely managed to achieve.

Peter Ilyich Tchaikovsky

Symphony No. 6, written in 1893, is Tchaikovsky’s last symphony which he considered his finest work. Its nickname ‘Pathetique’ suggests that the work contains deep and profound contemplations about life and death. Its music is dark and solemn with the exception of the second waltz movement. Many critics saw this symphony as an authobiographical expression of the composer’s uneasy life. The 6th Symphony premiered on 28 October 1893 and was given good reviews but didn’t make a sensation. Nine days later the composer died. After his death the symphony was performed once again at the tribute concert and that time, the audience was deeply touched by the poignant music and gave proper credit to it.

Antonín Dvořák

Antonin Dvorak is considered to be one of the most well-known and prominent Czechs in the world, as his musical work gained international recognition already during his lifetime. He was born in 1841 in a small Czech village into a butcher’s family. At the age of 6, Dvorak started taking violin lessons and it immediately became obvious that the boy had exceptional talent in music. Later in life, he was learning to master piano and organ as well as simultaneously working in a slaughterhouse. After Dvorak turned 16, he was admitted to the Organ School in Prague that trained future professional composers. After graduating, he stayed in Prague, joined Karel Komzak’s orchestra and started actively composing his own music. However, he struggled to make ends meet and always had to work on the side by playing music in churches and giving private music lessons. Finally, 1874 became a turning point in his life when he won a financial grant from an Austrian Prize competition for his 15 submitted works. This allowed him to quit the orchestra and devote himself fully to composing. During this period, he wrote his Slavonic Dances, Moravian Duets and Violin Concerto, which brought him sweeping success. In 1892 he was invited to teach at the New York National Conservatory, where he stayed until 1895 before returning home. He started teaching at the Prague conservatory and later became its director. Until his death in 1904, he had been a successful and well-loved composer, both in his homeland and around the whole world.

Johann Strauss

Johann Strauss Jr., also known as the king of waltz, is the most famous Austrian composer of dance music and operettas. He was born in 1825 in Vienna’s suburbs. Even though his father, Johann Strauss I, was a respected composer, he was totally opposed to his son' secision to dedicate his life to music and wanted him to become a banker instead. Therefore, the boy had to learn to play the violin literally in secrecy. His tutor, Franz Amon, was actually the first violin player of his father’s orchestra. Meanwhile, the young Strauss went to the polytechnic college at his father’s request. In 1844 Johann Strauss Jr. formed his own small orchestra that performed in different casinos and restaurants. But his father, being very influential on the local musical scene, made a lot of effort to get his son’s orchestra banned from playing at popular locations and events. However, this could hardly stop the young Strauss from becoming a success in Austria. After his father’s death, Strauss merged both their orchestras and started touring Austria and nearby countries. He as well as his younger brothers ,who were also composers, basked in fame due to their dance music that sounded so modern and innovative back then. Johann Strauss also travelled to the United States where he beat the record by conducting an orchestra of 1000 people. Until his death in 1899, Strauss was extremely popular thanks to his light and lively music, full of blissfulness, zest for life and enjoyment. His works celebrate nature’s beauty, purl of water, gush of wind and wisper of tree leaves.

Morada

Palau de la Música Catalana, c/ Palau de la Música, 4‐6, Barcelona, Spain — Veja no Google Maps