Trusted Shops badge
© De Waalse Kerk style= © De Waalse Kerk

Collegium Vocale Gent

Amesterdam, De Waalse Kerk

Free seating  E-Ticket instantâneo Dê isto como presente flexível

Seleccionar bilhetes

Preço Total
$ 34

Sobre o Evento

O fato de Carlo Gesualdo ter jogado sua esposa e o amante dela no penhasco é um dos fatos mais interessantes da história da música. Poderia haver uma conexão entre o drama e a polifonia excêntrica do Príncipe de Venosa? O Quarto Livro de Madrigais de Gesualdo data de pouco tempo depois do fato e atesta seu experimentalismo desenfreado e sua inflamabilidade emocional. O Collegium Vocale Gent extrai as mais finas nuances dessas canções de desejo ardente e doce dor de amor.

Informações Práticas

A Série Bösendorfer é uma série de recitais de piano intimistas em que nove pianistas de topo brilham atrás do nosso piano de cauda Bösendorfer Imperial Grand. A Série Bösendorfer é possível em parte graças ao Sofitel Legend The Grand Amsterdam.

Programação

  • Don Carlo Gesualdo – Quarto Libro di Madrigali (Ferrara, 1596)
O programa está sujeito a alterações

Elenco / Produção

.

Artistas

Condutor: Philippe Herreweghe

Philippe Herreweghe is a Belgian conductor. He is principally known as a conductor of Johann Sebastian Bach, the German composer who wrote over one thousand works. He is regarded by leading Bach scholars today as a founding father of the baroque authentic practice, original instrument movement and one of record label Harmonia Mundi's most prolific recording artists, with over sixty albums to his name. His early training as a chorister and assistant choirmaster in a Jesuit school was complemented by piano studies at the Ghent Conservatory. At university Herreweghe studied psychiatry and formed a 12‐person choir devoted to the revolutionary performing practices of Gustav Leonhardt, Ton Koopman and the Kuijken brothers.

Coro: Collegium Vocale Gent

Collegium Vocale Gent was founded in 1970 on the initiative of Philippe Herreweghe.

It was one of the first ensembles to use the then‐new ideas about baroque practice in vocal music performances. Musicians such as Gustav Leonhardt, Ton Koopman and Nikolaus Harnoncourt immediately took an interest in the Flemish ensemble’s fresh, new approach, which led to intensive collaboration.

In the mid‐1980s the ensemble acquired international fame and was invited to all the major concert halls and music festivals of Europe, Israel, the United States, Russian, South America, Japan, Hong Kong and Australia.

Morada

De Waalse Kerk, Walenpleintje 159, Amesterdam, Netherlands — Veja no Google Maps

Gift card