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  • The Liszt Academy of Music (Concert Hall), © Photo: Marjai Judit
    The Liszt Academy of Music (Concert Hall), © Photo: Marjai Judit

Barber / Schubert / Bartók / Beethoven

Budapeste, Franz Liszt Academy of Music — Main hall

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$ 29

Sobre o Evento

O programa do concerto será aberto com Adagio for Strings, uma das composições de música clássica mais populares do século XX. Não seria exagero descrever a peça como um êxito estrondoso, e o seu criador, Samuel Barber, ficou marcado como um compositor de uma única obra. Após a interpretação desta composição sempre pungente, o Concerto Budapeste volta a receber um dos convidados mais notáveis do grupo, Gidon Kremer. O grande músico lituano tocará primeiro o solo de violino da Polonaise em Si bemol maior, elegantemente masculina, de Franz Schubert, seguindo‐se o Concerto para violino n.º 1 de Béla Bartók, uma confissão de amor destinada à violinista Stefi Geyer. A segunda parte do concerto começará com o melhor andamento lento dos quartetos de cordas de Beethoven — a belíssima cavatina do Quarteto de Cordas n.º 13 em Si bemol maior. Finalmente, com András Keller como maestro, ouviremos a Sinfonia n.º 8 em Si menor de Schubert, que apesar — ou talvez por causa — da sua incompletude, se sente inteiramente apropriada aqui.

Programação

  • Samuel Barber – Adagio for Strings, Op. 11
  • Franz Schubert – Polonaise in B‐flat major, D. 580
  • Béla Bartók – Violin Concerto No. 1, Sz 36
  • Ludwig van Beethoven – String Quartet No. 13 in B‐flat major, Op. 130 – Cavatina
  • Franz Schubert – Symphony No. 8 in B major (‘Unfinished’), D. 759
O programa está sujeito a alterações

Artistas

Violino: András Keller
Orquestra, Conjunto: Concerto Budapeste
Violino, Violoncelo da Spalla: Gidon Kremer

Kremer was born in Riga to parents of German origin. He began to play the violin at the age of four, receiving tuition from his father and his grandfather, who were both professional violinists. He went on to study at the Riga School of Music and with David Oistrakh at the Moscow Conservatory. He won prizes at the Queen Elisabeth Competition in Brussels in 1967 (Second Prize), the Paganini Competition in Genoa in 1969 (First Prize) and the International Tchaikovsky Competition in Moscow in 1970 (First Prize).

Kremer's first concert in the West was in Germany in 1975, followed by appearances at the Salzburg Festival in 1976 and in New York in 1977. In 1981, Kremer founded a chamber music festival in Lockenhaus, Austria, with a focus on new and unconventional programming; since 1992 the festival has been known as 'Kremerata Musica' and in 1996 Kremer founded the Kremerata Baltica chamber orchestra, composed of young players from the Baltic region. He was also among the artistic directors of the festival 'Art Projekt 92' in Munich and is director of the Musiksommer Gstaad festival in Switzerland.

Kremer is broadly admired for his wide‐ranging repertoire, extending from Vivaldi and Bach to contemporary composers. He has championed the work of composers such as Ástor Piazzolla, George Enescu, Philip Glass, Alfred Schnittke, Lera Auerbach, Arvo Pärt, and John Adams. His partners in performance include Valery Afanassiev, Martha Argerich, Oleg Maisenberg and Vadim Sakharov. He has a large discography on the Deutsche Grammophon label, for which he has recorded since 1978, and he has also recorded for Philips and Decca. He plays a Guarneri del Gesù violin dating from 1730.

Morada

Franz Liszt Academy of Music, Wesselényi utca 52, Budapeste, Hungary — Veja no Google Maps

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