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Collegium Vocale Gent

Amsterdam, De Waalse Kerk

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$ 37

Lo spettacolo

Che Carlo Gesualdo abbia gettato nel precipizio la moglie e l'amante di lei è uno dei fatti più succosi della storia della musica. Potrebbe esserci un legame tra il dramma e l'eccentrica polifonia del Principe di Venosa? Il Quarto Libro dei Madrigali di Gesualdo risale a poco dopo il fatto e testimonia il suo sfrenato sperimentalismo e la sua infiammabilità emotiva. Il Collegium Vocale Gent estrae le sfumature più raffinate da questi canti di ardente desiderio e di dolci pene d'amore.

Informazioni pratiche

La Bösendorfer Series è una serie di recital pianistici intimi in cui nove pianisti di alto livello brillano dietro il nostro pianoforte a coda Bösendorfer Imperial Grand. La Serie Bösendorfer è resa possibile in parte dal Sofitel Legend The Grand Amsterdam.

Programma

  • Don Carlo Gesualdo – Quarto Libro di Madrigali (Ferrara, 1596)
Il programma può essere soggetto a variazioni

Cast/Produzione

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Artisti

Direttore: Philippe Herreweghe

Philippe Herreweghe is a Belgian conductor. He is principally known as a conductor of Johann Sebastian Bach, the German composer who wrote over one thousand works. He is regarded by leading Bach scholars today as a founding father of the baroque authentic practice, original instrument movement and one of record label Harmonia Mundi's most prolific recording artists, with over sixty albums to his name. His early training as a chorister and assistant choirmaster in a Jesuit school was complemented by piano studies at the Ghent Conservatory. At university Herreweghe studied psychiatry and formed a 12‐person choir devoted to the revolutionary performing practices of Gustav Leonhardt, Ton Koopman and the Kuijken brothers.

Coro: Collegium Vocale Gent

Collegium Vocale Gent was founded in 1970 on the initiative of Philippe Herreweghe.

It was one of the first ensembles to use the then‐new ideas about baroque practice in vocal music performances. Musicians such as Gustav Leonhardt, Ton Koopman and Nikolaus Harnoncourt immediately took an interest in the Flemish ensemble’s fresh, new approach, which led to intensive collaboration.

In the mid‐1980s the ensemble acquired international fame and was invited to all the major concert halls and music festivals of Europe, Israel, the United States, Russian, South America, Japan, Hong Kong and Australia.

Indirizzo

De Waalse Kerk, Walenpleintje 159, Amsterdam, Olanda — Google Maps

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