Vivaldi's Four Seasons Meets Bach's Masterpieces Las Cuatro Estaciones de Vivaldi se unen a las obras maestras de Bach
Roma, Chiesa di S. Paolo entro le Mura — Sala 1
Sobre el espectáculo
Viaje al siglo XVIII con la Orquesta Barroca "Opera in Roma" en este concierto de música barroca.
La Orquesta Barroca "Opera in Roma" y solistas de renombre internacional crean una atmósfera especial en la iglesia de San Pablo intramuros. Especialmente la elección de las obras da la impresión de un auténtico concierto de la época barroca!
En el programa de los conciertos, después de las obras maestras de Bach, figura el famoso concierto para violín solo "Las cuatro estaciones" de Antonio Vivaldi, lleno de onomatopeyas musicales que le llevarán a través de las estaciones. Sueñe con un año de prados en flor, sol implacable de verano, cosechas abundantes y hielo resbaladizo.
¡Disfrute de la Orquesta Barroca "Ópera en Roma"!
Programa
Obras maestras para órgano de Johann Sebastian Bach Aprox. duración 10 — 15 minutos
Una pieza seleccionada del siguiente repertorio:
Toccata, Adagio et Fuga en do mayor BWV 564
Tocata y fuga en re menor BWV 565
Preludio y fuga en re mayor BWV 532
Preludio y fuga en mib mayor BWV 552
Fantasía y fuga en sol menor BWV 542
Preludio y fuga en si menor BWV 544
Passacaglia et Thema fugatum BWV 582
Johann Sebastian Bach Aprox. duración 15 minutos
Aria — Gavotta I y II — Giga de la Suite orquestal 3 en re mayor BWV 1068.
Antonio Vivaldi Duración aproximada 45 minutos
Las cuatro estaciones:
Concierto n.º 1 en mi mayor, Op. 8, RV 269, 'Primavera' (La primavera)
Allegro
Largo e pianissimo sempre
Allegro pastorale (en mi mayor)
Concierto n.º 2 en sol menor, Op. 8, RV 269, 'Primavera' (La primavera) 2 en sol menor, Op. 8, RV 315, 'Verano' (L'estate)
Allegro non molto
Adagio e piano — Presto e forte
Presto
Concierto nº 3 en fa mayor, Op. 8, RV 293, 'Otoño' (L'autunno)
Allegro
Adagio molto
Allegro
Concierto nº 4 en fa menor, Op. 8, RV 297, 'Invierno' (L'inverno)
Allegro non molto
Largo
Allegro
Información práctica
Para las categorías reducidas es obligatorio mostrar un documento de identidad válido en la taquilla.
Reparto / Producción
Conjunto:
Trompeta: Flavio D' Antonio
Violín Solista: Francesco Malatesta/ Soichi Ichigawa
1er Violín: Roberta Palmigiani/Fausta Sparasci
2º Violín: Valentina Macioti/Francesco Malatesta
Violonchelo: Enrico Peluso/Flavio Malatesta
Viola: Orazio Vicari/Alessandra Monacelli
Platillo y órgano: Stefano Vasselli
Chiesa di S. Paolo entro le Mura
The 'Church of St. Paul within the Walls' was the first non-Catholic church built in Rome after Italy's unification. The church was built between 1873 and 1880 as an Anglican Basilica in the district of Castro Pretorio, Via Nazionale, Rome. Constructed in the Gothic Revival style, the distinctive external facade is characterised by alternating red and limestone bricks. Four spectacular mosaics by the English pre-Raphaelite Edward Burne-Jones, in collaboration with William Morris, are the crowning glory of the church's interior. The eagle-eyed will spot several famous nineteenth-century figures among those representing the fathers of the church in the elaborate mosaics, among them the artist himself, notable donors and their families, and Abraham Lincoln, Giuseppe Garibaldi and General Grant among the 'Christian Warriors'. Many delightful classical events are hosted in this location, including performances of popular operas like La Traviata.
Johann Sebastian Bach
The name Bach and the word musician had long been synonyms in Germany as the world saw 56 musicians from this kin. But it was Johann Sebastian Bach, a genius composer and virtuoso organ player, who shed lustre on his family name. He was born on th 31st of March 1685 in Eisenach, a small town in Thuringia. At the age of 10 he became an orphan and was brought up by his elder brother Johann Christoph, who was an organist in a neighbouring town. His brother was the one to teach music to the young Johann Sebastian. Later he moved to Luneburg where he attended a church school and mastered the techniques of playing violin, viola, piano and organ by the age of 17. Besides that, Bach was a choir singer and later after his voice broke he became a chanter’s assistant. In 1703 Bach was hired as a court musician in the chapel of Duke Johann Ernst III. He earned such a good reputation there that he was later invited to Arnstadt to be an organist at the New Church, where he wrote his best organ works. In 1723 he moved to Leipzig to be a chantor at St. Thomas Church where he stayed until his death of a stroke in 1750. In the year of his death he had undergone unsuccessful eye surgery which lead him to lose his eyesight. During that strenuous time his second wife Anna Magdalena helped him to write his last musical pieces. Bach’s artistic legacy is vast. He created compositions in all genres of the time: oratorias, cantatas, masses, motets, music for organ, piano and violin.
Antonio Vivaldi
Antonio Vivaldi went down in history as a creator of the instrumental concert genre and the father of orchestral music. He was born in Venice on the 4th of March 1678. Vivaldi was a weak and sickly child suffering from asthma, however could not stop him from devoting himself completely to music. His father, Giovanni Batista a professional violinist, taught his elder son Antonio to play the violin. With his father young Antonio met the best musicians of Venice of that time and gave concerts in local churches. He also worked as a violin teacher and later as a music director at the orphanage Ospedalle della Pieta. Meanwhile he composed concertos, sacred works and vocal music and in 1713 he achieved great recognition with his sacred choral music. Vivaldi got captivated by the world of opera and worked both as opera composer and impresario at the Teatro San Angelo. In 1717 he obtained a prestigious position by the prince court in Manua as a director of secular music and worked there until around 1720. During that time he composed his world-renowned masterpiece The Four Seasons. In the 1730's his career dwindled as his music became unfashionable and the great composer died in poverty. It took the world two centuries to rediscover and reevaluate Vivaldi’s music, as it was buried into oblivion after his death. In the early 20th century many previously unknown works were found and immediately captured the hearts of the music lovers.
OPINIÓN DE LOS USUARIOS
4.2 de 5
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MARCOS A, Brazil
jul 2024
Nice performance!
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Konstantinos V, Greece
mar 2024
We had a great evening. The the selected pieces were very well performed and the church was also very nice.
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Maria Rosaria T, Italia
mar 2024
Un'interpretazione favolosa, coinvolgente. Tutti i componenti sono stati bravissimi, un plauso particolare al pianista e soprattutto al primo violino. Esperienza da ripetere.
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ago 2022
Excelent performance ???
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Lucile A, Suisse
mar 2019
Splendid !!!
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Dominique C, Belgique
mar 2019
Tres belle soirée
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Cristian C, Italia
dic 2018
Esperienza sublime, ho rivissuto i capolavori di bach al meglio, estasiato dalla bravura lirica di lady mariangela. Vivaldi rappresentato al meglio, la mia signora si è commossa non riuscendo a mantenere l'emozione. In fine, le pennette all'arrabbiata hanno rappresentato al meglio la tradizione romana, esaltando il nostro palato. Grazie per l'esperienza.
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Heiko R, Italien
oct 2018
Die Abwicklung hat reibungslos funktioniert. Ich kann Classictic nur empfehlen. Danke.
Dirección
Chiesa di S. Paolo entro le Mura, Via Nazionale 16a, Roma, Italia — Google Maps
