New Years's Eve Concert of the Prague Philharmonic Orchestra

Artists

Municipal House (Obecní dum)

The Municipal House is a popular Prague attraction and one of the most beautiful buildings in the Old Town, situated at Republic Square not far from the Powder Gate. In the Middle Ages the site housed the palace of the King of Bohemia,and was later used as a college, archbishop´s residence, and a military academy. The structure was eventually torn down, and in 1912 the new Municipal House was erected in the Art Nouveau style. Since opening, the Municipal House has been a glamorous location for festive balls, concerts, exhibitions and important meetings, including the declaration of Czechoslovak Independence in 1918. Today the Municipal House is used primarily as a venue for classical concerts in Prague. Its main hall is named after famous Czech composer Bedrich Smetana, and serves as one of the principal stages for the Prague Spring International Music Festival. The hall can accommodate up to 1200 people and has unique acoustics. The architectural highlight of the Smetana Hall is a glass dome decorated with steel grids and stained glass, which is illuminated when darkness falls. A place of pilgrimage for many of the worlds greatest organists, the real jewel of the Municipal House is the great organ, its almost 5000 pipes crowned with Smetana´s portrait.

Antonín Dvořák

Antonin Dvorak is considered to be one of the most well-known and prominent Czechs in the world, as his musical work gained international recognition already during his lifetime. He was born in 1841 in a small Czech village into a butcher’s family. At the age of 6, Dvorak started taking violin lessons and it immediately became obvious that the boy had exceptional talent in music. Later in life, he was learning to master piano and organ as well as simultaneously working in a slaughterhouse. After Dvorak turned 16, he was admitted to the Organ School in Prague that trained future professional composers. After graduating, he stayed in Prague, joined Karel Komzak’s orchestra and started actively composing his own music. However, he struggled to make ends meet and always had to work on the side by playing music in churches and giving private music lessons. Finally, 1874 became a turning point in his life when he won a financial grant from an Austrian Prize competition for his 15 submitted works. This allowed him to quit the orchestra and devote himself fully to composing. During this period, he wrote his Slavonic Dances, Moravian Duets and Violin Concerto, which brought him sweeping success. In 1892 he was invited to teach at the New York National Conservatory, where he stayed until 1895 before returning home. He started teaching at the Prague conservatory and later became its director. Until his death in 1904, he had been a successful and well-loved composer, both in his homeland and around the whole world.

Bedrich Smetana

Bedrich Smetana is regarded as the father of Czech classical music, most known for his symphonic cycle My Homeland and opera The Bartered Bride. He was born in 1824 in Litomyšl, a town in Bohemia. Since childhood, Bedrich Smetana developed an affection for folk music and songs, which can be traced in his oeuvre. His father also played in a string quartet and taught young Bedrich to play the violin. However, the son preferred the piano and gave his first piano performance when he was only 6 years old. In 1943 Smetana set off to Prague where he attended the Prague Music Institute and became acquainted with Prague’s music life by attending numerous classical concerts. Back then he said: “…I shall one day be a Liszt in technique and a Mozart in composition!”. In 1848 he opened a private music school, which became very popular, especially among Czech nationalists – a movement that was thriving that year. Smetana was supporting the movement and wrote a few patriotic works, including two marches dedicated to the Citizens’ Army. However, the 1850’s were sorrowful years for the composer. He lost his three daughters, his wife was severely ill and the critics were giving unflattering reviews on his music. In 1856 he decided to start a new life in Gothenburg, Sweden, where he opened another music school, worked as a conductor of the Society for Classical Music and gained professional recognition. In his homeland, Smetana’s talent was finally acknowledged only in 1866 with the release of his opera "The Brandenburgers". Since then, his career saw ups and downs but reached its glorious peak when the public first heard his symphonic circle "Ma Vlast", which Smetana composed despite becoming deaf.

Giuseppe Verdi

Giuseppe Verdi was an Italian opera composer. From a young age, he developed a musical education with the help of a patron and soon dominated the Italian opera. In fact by his 30s, he became one of the most influential opera composer all over the classical scene. His most famous operas are Il Trovatore, Rigoletto and La Traviata. Furthermore, he was able to establish himself as a landowner with the income from his successful operas and focus on his private life. However, he soon returned to the scene with his new popular work Aida (1871), and three masterpieces: Otello, Requiem and Falstaff.

Georges Bizet

Georges Bizet devoted his relatively short life of 36 years to the musical theatre. The opera Carmen, pearl of his oeuvre, is still one of the most frequently performed operas in the world. He was born in 1838 into a musically educated family – his father was a singing teacher and his mother a professional piano player. At the age of 4, young George could already read notes and play the piano, and six years later he became enrolled at the Paris Conservatory. After finishing his studies, Bizet won the prestigious Prix de Rome for his cantata Clovis et Clotilde, that allowed him to work solely on his own compositions for five years. He spent four rather carefree years in Italy from 1857 to 1860 where he travelled, composed and developed his talent. After coming back to Paris, he faced struggles and found it very difficult to achieve recognition for his music. In order to make a living, he gave private lessons, composed light entertaining music and made arrangements of piano works by other composers. In fact, he could have easily become a successful pianist as he was a virtuoso piano player and once impressed Franz Liszt himself with the performance of one of Liszt’s piano compositions. But Georges Bizet did not look for a way to make easy money and was adamant about his intention to only compose music. In 1872 he wrote two operas, Djamileh and L’Arlesienne, which were received very coldly but now are considered to be a representation of Bizet’s artistic maturity. Soon before his death in 1875, Carmen premiered in the Opera Comique, but the audience’s verdict was rather negative. Never having witnessed public acclaim during his life, George Bizet now is one of the most famous opera composers in history.

Giacomo Puccini

Giacomo Puccini was an Italian opera composer of the late 19th century. He was considered one of the greatest composers of the Italian Opera, second only to Verdi. His early works were characterised by features of the traditional 19th century romantic Italian opera. Later, his style developed into the realistic verismo style, which inspired him to write his most famous masterpieces and became one of the leading exponents of the style. His most renowned works La bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (1924), all are popular operas played in the most prestigious venues of the classical world.

Johann Strauss

Johann Strauss Jr., also known as the king of waltz, is the most famous Austrian composer of dance music and operettas. He was born in 1825 in Vienna’s suburbs. Even though his father, Johann Strauss I, was a respected composer, he was totally opposed to his son' secision to dedicate his life to music and wanted him to become a banker instead. Therefore, the boy had to learn to play the violin literally in secrecy. His tutor, Franz Amon, was actually the first violin player of his father’s orchestra. Meanwhile, the young Strauss went to the polytechnic college at his father’s request. In 1844 Johann Strauss Jr. formed his own small orchestra that performed in different casinos and restaurants. But his father, being very influential on the local musical scene, made a lot of effort to get his son’s orchestra banned from playing at popular locations and events. However, this could hardly stop the young Strauss from becoming a success in Austria. After his father’s death, Strauss merged both their orchestras and started touring Austria and nearby countries. He as well as his younger brothers ,who were also composers, basked in fame due to their dance music that sounded so modern and innovative back then. Johann Strauss also travelled to the United States where he beat the record by conducting an orchestra of 1000 people. Until his death in 1899, Strauss was extremely popular thanks to his light and lively music, full of blissfulness, zest for life and enjoyment. His works celebrate nature’s beauty, purl of water, gush of wind and wisper of tree leaves.